quartets

英 [kwɔːˈtɛts]

美 [kwɔrˈtɛts]

n.  四重奏乐团; 四重唱组合; 四重奏(曲); 四重唱(曲); 四人组; 四件套; 四部曲
quartet的复数

双语例句

• Why should matters like give-and-take, generosity and co-operation for the common good or towards some common goals be worth thinking about in sonatas, quartets, concertos and symphonies?
  为什么在奏鸣曲、四重奏、协奏曲和交响曲中，表现出的普通事物中的付出与索取、慷慨与合作这样的东西，值得人们思考？
• Four Quartets lend voice to this last period of spiritual fulfillment when the persona first explicitly claims his identity and then gradually impersonalises himself on the way towards spiritual transcendence and salvation.
  《四个四重奏》表达了在这最后阶段中实现的精神圆满，其间，诗中人物首先明确地表明了身份，后来又逐渐地消冥了自我，走上了精神超越与拯救之途。
• This essay consists of three chapters, introduction, polyphony techniques in the Shostakovich's String Quartets and the continuation, development, creativity in the polyphony by Shotakovich.
  本文由以下三章组成：绪论、肖斯塔科维奇弦乐四重奏复调写作技术的研究分析以及肖斯塔科维奇对复调音乐的继承、发展与创新。
• Bob has also been active in education area, he still manages to find time to write saxophone quartets, symphony music, big band arrangements.
  他还活跃于音乐教育事业，创作了许多萨克斯四重奏曲、交响音乐、大乐队改编曲等一系列作品。
• The third chapter details fugue in his late works, which mainly reflects in late piano sonatas, string quartets, symphony and solemn works.
  第三章，详细论述贝多芬晚期作品中赋格的应用。主要体现在晚期的钢琴奏鸣曲、弦乐四重奏、交响乐以及庄严弥撒曲等作品中。
• The philosophical background of Four Quartets in dualism, fully expressed in such dualistic themes as finite and infinite, temporary and eternal, past and future, death and birth in the poem.
  西方传统的二元论思想是《四个四重奏》的哲学背景，《四个四重奏》呈现了有限与无限、瞬间与永恒、过去与未来、生与死等一系列二元论思想。
• The present paper holds that the thematic signification of Four Quartets is realized by way of such music techniques as polyphony, counterpoint, harmony and variation.
  艾略特这部作品的主题意义，是借助复调、对位、和声、变奏等音乐技法来建构的。
• In addition, it is shown that SS mechanism and SOO mechanism are determined by spin quartets in SH parameters calculation.
  此外，发现SS机理和SOO机理对基态EPR参量的贡献主要由四重态决定，二重态的影响很小。
• It seems possible in the case of string quartets.
  这在弦乐四重组的例子中是可能的。
• The fizz was in small clubs where quartets and quintets played live, and Coltrane was lucky to be hired by two superb bandleaders and teachers, Miles Davis and Thelonious Monk.
  只活跃在小型俱乐部里的是四重奏和五重奏的实况演奏。柯川很幸运地被两位高超的伴舞乐队指挥和老师雇佣，他们是迈尔斯？戴维斯和赛罗尼斯-蒙克。